Maniac Squat: after 25 years Colchester’s favourite art punks return with experimental concept album
Maniac Squat were the art punk band from Colchester who had a cult hit with ‘F**k Off’ in the mid-90s – a record which secured them the coveted single of the week slot in Kerrang! no less. Performing over two hundred gigs, including support slots for Babes in Toyland and Zodiac Mindwarp as well as tours of mainland Europe, Maniac Squat made their last record in 1996 and promptly split. Now they are back, with three members of the original line-up reconvening to record a stunning concept album of experimental art-rock. The Cloud Upon the Sanctuary, which also leans heavily towards jazz, has been inspired by the work of eighteenth-century Christian mystic, author and philosopher, Karl von Eckhartshausen.
For The Cloud Upon the Sanctuary the band have teamed up with an all-star ensemble of guest musicians headed up by legendary Bowie/Iggy Pop sideman, Kevin Armstrong, who also produced the album. Joining Kevin – and the original Maniac Squat alumni of Tom Wilcox, Scott Pearce and Michael Giaquinto – are Iggy Pop’s drummer, Mat Hector; PJ Harvey’s sax player, Terry Edwards; and rising star Manchester-based rapper, El Zeeko. The release is accompanied by an equally stunning seventeen-minute video by art director/film producer, Rob Russell, whose vibrant, other-worldly imagery deftly captures the intensity of emotions that the band delve into via their experimental soundscapes.
Original Maniac Squat frontman, Tom Wilcox, says: “Plato observed that ‘we can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.’
“Our wilderness years were spent stumbling horny from one fix to the next. In the course of trying to repair our complex and multi-faceted personal relationships, Scott, Michael and I were profoundly affected by both the teachings of Karl von Eckartshausen and the key change rubrics of Gustav Mahler. These inspirations provoked us into composing separate elements of a larger piece of music. We gradually brought the disparate movements together to make one work. There is no coming to consciousness without pain.”
Producer and guest musician, Kevin Armstrong, adds: “I have had many twists and turns in my nearly 50-year career in music but the things I will carry with me to my deathbed are those moments of fearless invention that do not yield to any commercial constraint nor any fear of ridicule. The Cloud Upon the Sanctuary is one such moment. When I was presented with the opportunity to help realize the revival of Maniac Squat little did I imagine that our efforts would produce such a savage and desolate beauty.”
About Maniac Squat
Forming in Colchester, Essex, Maniac Squat pursued their own brand of art punk for five years between 1991 and 1996. They first played at Colchester Arts Centre in 1992 and were immediately banned for using an industrial grinder in their performance and for making a hole in the stage while smashing up a guitar. Maniac Squat persevered and went on to notch up the much coveted ‘Single of the Week’ accolade from Kerrang! magazine for their single ‘F**k Off’. They played over 200 gigs in their career – including tours of Germany and the Czech Republic – also releasing two singles and an album and being the go-to local support act for bands such as Babes In Toyland and Zodiac Mindwarp when their tour itinerary took them to Colchester. After splitting in 1996, Tom Wilcox, Scott Pearce and Michael Giaquinto would later re-appear in the mid-2000s as part of The Chavs, with several of their tracks used as MTV theme tunes, including ‘Nuclear War’.
The Cloud Upon the Sanctuary – Release information
The Cloud Upon the Sanctuary is released on 23rd September on all the main digital platforms and in a limited-edition vinyl format, too. It will be available via: https://maniacsquat.com/
Written by Michael Giaquinto/Scott Pearce/Tom Wilcox/El Zeeko
Lyrics adapted from The Cloud Upon the Sanctuary by Karl Von Eckartshausen
A side: The Cloud Upon the Sanctuary (Giaquinto/Pearce/Wilcox/El Zeeko)
B side: Overbevisende Mareritt (Giaquinto/Pearce/Wilcox/El Zeeko)
Tom Wilcox – vocals, guitar, piano, keyboards, percussion
Scott Pearce – guitars, keyboards, percussion
Michael Giaquinto – bass, guitar, keyboards, percussion
Featuring special guests:
El Zeeko – rap vocals
Kevin Armstrong – guitars, bass
Terry Edwards – baritone Sax
Alan Newcombe – tenor Sax
Mat Hector – drums
Produced by Kevin Armstrong.
Engineered by Kevin Armstrong and Mat Hector Mastered by Ed Woods.
Video by Rob Russell
Maniac Squat are:
Tom Wilcox was the front man of Maniac Squat finding notoriety with their 1995 ‘hit’ ‘F**k Off’. Tom has since produced albums for Gillian Glover and Lisa Ronson; the latter, co-produced with Paul Cuddeford, receiving a 4-star review in Mojo and widespread recognition. As a songwriter Tom has provided material for many bands including Lover, Jesse Smith and Florence Sabeva. More recently, Tom has been the producer and singer with London based art rock band Last Day Sect.
Michael Giaquinto was bass player with Maniac Squat in the 90s and also played bass with punk legends Vice Squad, touring extensively throughout the US and Europe. He then spent several years in Brazil, where he played in Marca Diabo, the resident house band at the infamous cultural centre Casa Amarela, backing performing artists of all types, from contortionists to beat poets. Returning to the UK with an increased appetite for experimentalism, he became involved with London’s improvised music scene and has played with some its well-known figures, including Eddie Prévost, John Russell, and Steve Beresford. He has worked as a bassist for hire in a number of bands, has a master’s degree in ethnomusicology and works in music education.
Scott Pearce (aka Arsepiece) was the guitarist in 90’s DIY punk band Maniac Squat and later in The Chavs who created the soundtrack of MTV/Viacom’s TV series ‘Blaggers’. Scott moved into music supervision and publishing for TV and Films. He now runs his own independent soundtrack label, The Nerve, and has produced over 250 albums sound tracking networks such as BBC, ITV, HBO, C4, Discovery, Viacom/CBS and ABC. He gave up drugs in 2014 which he now deeply regrets, only binge drinks at weekends but still very much enjoys amorality – if only as a keen spectator which, regrettably, makes him a somewhat duller version of his earlier self.
El Zeeko Was raised in a crosshair between Old Trafford and Stretford and enters the music scene with a south Manchester confidence and 90’s hip-hop energy. With exceptional wordplay reflective of his love for English language, El Zeeko graces us with a humble yet raw and honest account of his love life, brotherhood, survival and the road code in his first biblical self-titled EP project as an artist titled 25:17. Starting out as a producer at 13 inspired by his brother’s rap group Manchester’s notorious blueprint to Grime RAW-T, he learned the art and craft of production leading him to be signed to a deal with Universal as a teenager. Working both as an artist and a producer, El Zeeko continues to work with homegrown soul duo Children of Zeus, Tyler Daley, Sleazy F Baby and more due to his musical ear in the Neo-Soul and Hip-Hop space in Manchester.
Kevin Armstrong Began his musical life with his own band Local Heroes SW9. After two albums, his career began thriving as a writer, producer, bandleader and guitarist. Most notably, Kevin met David Bowie in late 1984, and worked with him on various projects including putting together his band and performing at the legendary Live Aid in 1985. Bowie introduced Kevin to Iggy Pop as guitarist on the 1986 album Blah Blah Blah and Kevin became Iggy’s bandleader in 86/87. He put together Iggy’s touring band again from 2014 until 2019. He has worked with Morrissey, Grace Jones, Sinéad O’Connor, Prefab Sprout, Thomas Dolby, Transvision Vamp Brian Eno, Paul McCartney, Sandie Shaw, Gil Evans, Alien Sex Fiend, Keziah Jones and many more.
Mat Hector has become widely known for his hard-hitting groove and stylistic adaptability as drummer in Igy Pop’s band. In addition to working with Iggy, Mat has worked with Razorlight, Thomas Dolby, Marc Almond and legendary Bowie pianist Mike Garson.
Terry Edwards is an acclaimed and much in-demand session musician, playing the saxophone, trumpet, guitar, keyboard and the flute. He’s worked with artists as diverse as Nick Cave, Ronnie Spector, PJ Harvey, Eric Mingus, Madness, Gallon Drunk, Tindersticks, Jimi Tenor, Mike Garson, Glen Matlock, The Blockheads, Siouxsie Sioux, Hot Chip, Robyn Hitchcock and Rhoda Dakar.
Alan Newcombe is interested in producing combinations of sound on a saxophone mainly using alternative fingerings, flutter tongue and so on. He also plays desiccated bebop and 32 bar standards. He appears with numerous ad hoc improv groups and workshops in London and does a daily show for his neighbours.
Rob Russell directed the ground-breaking video for The Cloud Upon the Sanctuary and is a multidisciplinary graphic designer and art director whose design, branding and communications work includes projects for the likes of Virgin and Liverpool Everyman. He is passionate about music, performing, writing and producing for both personal and commercial projects.